All PACHER, Michael 's Paintings

The Painting Names Are Sorted From A to Z
Usually people can find a painting's picture with different colors. We just upload all of them here.
They are just the options for you and you can choose the best one or the one with your favorite colors.

Choice	ID	Image	Painting (From A to Z)	Details
	52175		Altarpiece of the Church Fathers	c. 1483 Wood, 212 x 200 cm
	8423		Altarpiece of the Church Fathers: St Augustine Liberating a Prisoner G	c. 1483 Panel, 103 x 91 cm Alte Pinakothek, Munich
	40249		Altarpiece of the Earyly Chuch Fathers	mk156 c.1480 Oil on panel 216x380cm
	8420		Annunciation aghe	1465-70 Panel, 100 x 97 cm Alte Pinakothek, Munich
	52050		Christ in Li	1460s Tempera on pine panel, 85 x 71,5 cm
	63695		Christ in Limbo	85 x 71,5 cm Museum of Fine Arts, Budapest As a fulfillment of redemption, Christ, having broken open the gates of hell, has brought with him the pious figures of the Old Testament, holding Adam by the hand as the symbolical incorporation of the whole of humanity. Allusions to this forced invasion, a favoured incident of popular legends and mystery plays, are found even in the Divine Comedy; here it is indicated by cracked and broken stones. It is typical of medieval thinking that hell is represented as a well-guarded building of huge stones, a sort of immense fortified prison; the notions of release, heaven, enjoyment of the delights of Paradise, are conveyed by a fresh green meadow encircled by mountains and forests of fantastic shape, worthy of the imagination of a Tyrolese painter. As symbol of his triumph over death, Christ holds the banner of victory in his hand; the wounds on his hands and feet are clearly visible.Artist:PACHER, Friedrich Title: Christ in Limbo Painted in 1451-1500 , Austrian - - painting : religious
	63696		Christ in Limbo	1460s Tempera on pine panel Museum of Fine Arts, Budapest Obviously, every action of the devil against Christ is hopeless and can do no harm. It is ludicrous to see him lean out from his castle at the risk of losing his balance; the fires of hell illuminate his backside with a reddish glow, while he gnashes his teeth mixed with fangs, brandishes his two-pronged fork, and makes a threatening gesture with the blunt, fleshy fingers of his other hand. His head is like that of a he-goat, on his arms there are prickles reminiscent of a bat's wings; the contours of a beak-like nose on his belly complete the phantom figure of horror created by the fantasy of the Middle Ages.Artist:PACHER, Friedrich Title: Christ in Limbo (detail) Painted in 1451-1500 , Austrian - - painting : religious
	8424		Flagellation agy	1495-98 Panel, 113 x 139,5 cm Österreichische Galerie, Vienna
	52210		Mary of Burgundy	c. 1490 Oil on wood, 47,5 x 35 cm
	40227		Resurrection of Lazarus	mk156 1471-1481 Tempera on wood 175x130cm
	33453		St Augustine and St Gregory	mk86 c.1480 Oil on wood 212x100cm
	21274		St Augustine and St Gregory (mk08)	c.1480 Oil on wood, Munich,Bayerische Staatsgemaldesammlun-gen, Alte Pinakothek
	8422		St Catherine ag	1465-70 Panel, 511 x 49,5 cm Tiroler Landesmuseum Ferdinandeum, Innsbruck
	8421		St Lawrence Distributing the Alms ag	1465-70 Panel, 100 x 97 cm Alte Pinakothek, Munich
	8425		The Engagement of Virgin zg	1495-98 Panel, 113 x 139,5 cm Österreichische Galerie, Vienna
	33452		The Resurrection of Lazarus	mk86 1471-1481 Tempera on wood 175x130cm
	21273		The Resurrection of Lazarus.From the St Wolfgang Altar (mk08)	1471-1481 Tempera on wood 175x130
	42946		The Virgin and Child Enthroned with Angels and Saints	mk170 1480-1490 Oil on silver 40.3x39.4cm

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